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By Patricia Simón / Translation Blanca G. Bertolaza

  • For his proyect “Essay on mockery”, painter Toño Velasco began to portray anonymous citizens sticking out their tongues and making faces at the camera
  • Research and current events led him to portray the ones he considers responsible for this crisis

“The research process for Essay on mockery led me to ask myself who I would like to mock, who are the ones in charge of this big joke we are going through”. And the first one he did, “just in pink, white and blue colors, because I wanted it to be an absolutely cold face”, was German Chancellor Angela Merkel. Obviously, the second portrait, two meters tall and two meters wide, is dedicated to the face of the French President, Nicolas Sarkozy. Among his next “models” are some Goldman Sachs CEOs, “the ones truly responsible for what we are going through. They are laughing at us and it is our turn to laugh at them, to stand before them and be able to feel a lot of the things we are going through because of them, without forgetting that we are also responsible”.
Toño Velasco has many years of experience as a painter, but also teaching graphic design in the Superior Art School of Avilés, in interior design and other activities. We talk to him about art in Spain, how he uses the Internet to manage his works, and other subjects such as the crisis or the 15M movement.

Translation of the interview

My project is a big bid. It starts with me taking pictures of my friends and the people around me and there are always people who, are intimidated by the fact that you approach them with a camera and their reaction is to stick out their tongue. So I realized that I had a lot of pictures or friends and loved ones sticking out their tongue and making faces in my photo archive. So I began to ask myself why people make that face, the moment in which they might feel observed by a camera, they make that face, or maybe when they are in the dentist’s waiting room and a kid is staring at them and they break that silence making faces. So I began to develop that idea and asked my friends to send me pictures. At first it was a local thing, for me to see images that I wanted to reinterpret, to paint over putting in plasticity, putting in my own technique. In the end “Essay on mockery” is a series of pictorial portraits, but always based on photo portraits which I have either taken myself or that people send me on a website. Mockery exudes other things, it exudes a bit of rebelliousness, it exudes optimism. When you go up to someone with a camera and you want to mock them, people a lot of times feel intimidated, stick out their tongue, it is like getting undressed, as if you were undressing them. People don’t mind making ugly faces, in fact they make ugly faces on purpose, so that way they start to peel off layers of the mask we wear every day when we go to work, when we live our daily routine. And very interesting things come out. When someone distorts their face they are opening a door I walk through, and I reinterpret that expression my own way in my paintings. Almost two years have gone since this project started, and it feels great because it is turning into a global action. I set up a website where I invited people to send me these pictures and I’m receiving photos from all over the world. I’ve realized that this is a very positive action, it is a liberating action, it means for each person who takes part in this to laugh at themselves. Leer más